She is 'Hazel Brooks,' the girl who was born beautiful and whose beauty still glows and flourishes from one day to the next. She is the girl who leaped from nothingness to the front rank of cinema personalities in beauty, culture, and wealth. Her beauty is of a new stamp, singular in kind and in attraction, the like of which we have never seen before; and no wonder, for she is a girl of twenty, of a tender freshness that drips softness and a restless delicacy — and so thousands of young men flock to watch her and to delight in

the sight of her body, which oozes femininity and pleasure.

Hazel Brooks's first appearance on the screen was in the film 'Arch of Triumph,' where her part was confined to her mere appearance; she did not utter a word. But no sooner had the director cast a glance at that body saturated with attraction than it struck him that this girl was meant for something beyond that simple part of hers, and he thought of letting her open her mouth to see what might issue from her pent-up heat. And so he thrust her into the arms of 'John Garfield' in the film 'Body and Soul,' and the results of that first experiment were so astonishing and so successful that they dazzled everyone who saw the film. Her name was on every tongue — which led the makers of the film 'Sleep, My Love!' to decide without hesitation that Hazel Brooks alone was fit to be its heroine, for she was created for it, and no one but she could play that part in the manner in which she played it.

Hazel Brooks, in addition to the beauty of her body, possesses a great share of culture; she is a specialist in philosophy; she loves people because she wants to, not because she must love them. In her nature and her conduct there is much that is strange and eccentric.