tion and astonishment of the critics and was counted an impor-tant event in the history of the French theater.

In its present form it was staged by Claude Sainval. Jean-Pierre Aumont (J. P. Aumont) played the role of Jupiter, Françoise Christophe (F. Christophe) the role of Alcmène, and William Sabatier (W. Sabathier) the role of Amphitryon. Jean Malclès (J. C. Malcles) excelled in the stage decor and the enchanting Greek costumes. And the gifted

musician Jean-Michel Damase (J. M. Damase) contributed to creating the magical atmos-phere that usually distinguishes Giraudoux's plays.

It is a company of the brilliant stars of the Parisian stage; and yet, in spite of that, we come out of the play feeling that we still fall short of the ideal measure of the total beauty that Giraudoux encompassed with his word and his imagination. For it is not easy for an actor to grasp all the psychological touches and the profound intellectual turns contained in his literature — so simple in appearance, so impossi-ble to imitate. Nothing less than a brilliant genius like the actor

Jouvet is needed to undertake this mighty task.

When I returned to my homeland with my baby, who was in his sixth month, and entered the customs — and I had with me an enormous pile of suitcases — the inspector asked us: What things of value did you acquire during your stay abroad in the last twelve months? And I began to speak, saying: This baby...

At that the man stared for a moment at the baby sleeping in my arms... then said firmly:

— Original works of art are exempt from duty, madam.

Then he let me pass with all my suitcases, without inspection!

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