letters · Issue No. 8, September 1948 · p. 4 p. 5 p. 33
Who Is the Criminal?
من هو المجرم؟ · زينب محمود ياسين وطه الغريّب
Readers will remember the story that The Woman's Voice published by Mrs. Salma al-Haffar under the title 'Who Is the Criminal?' The writer Salma al-Haffar had asked readers to declare their opinions as to who the real criminal in the story was, and two letters have reached us: the first from Miss Zaynab Mahmud Yasin, of Safita, and the second from the writer Taha al-Gharib, of the newspaper Le Commerce du Levant.
Here is Miss Zaynab's letter. She said:
The Criminal...
After reading the story 'Waiting' in the last issue of the esteemed magazine The Woman's Voice, my attention was caught by this tragedy performed by three protagonists — a mother, a lover, and a son — which The Woman's Voice placed in the hands of its readers, men and women, that they might judge which of the three is the criminal. Faced with this welcome referendum, I paused to review the position of each
of them; it moved me deeply as a whole, and I came away wondering who the criminal could be.
A loving woman whose heart beats with the verses of love, with its sanctity and its purity, falls victim to the wishes of her parents, yet keeps the ember of this love alight in fidelity to a penniless sweetheart whom the parents did not want as kin to her; and loyalty remains buried within the folds of her breast. The days pass, the husband dies, and the two lovers return to their old nest, exchanging the cups of love and passion.
And when the magnificent, musical kiss of reunion came, in which the two lovers were long lost, there began the intimate talk out of which the sorrowful tragedy burst. The loving woman is compelled, by the force of things, to open her arms to her adoring sweetheart and to offer him the cup of passion from her lips.
And the lover, too, is likewise compelled to answer this situation with his love and with his heart. But the criminal, of course, is the son, who never considered that his mother had enjoyed absolute freedom from the moment his father died — that she had become free in her conduct and her course. Yes, he alone is the sinful criminal, when he left his mother in a vengeful manner, trusting in his certainty that his mother was dying of love for him and melting with longing for him; and so from him came that bitter revenge with which he struck that cruel blow at two loving hearts.
Safita: Bayt al-Sheikh Yunus
Zaynab Mahmud Yasin
...whose days have been free of such situations. And if we wish to pass judgment on one of them, we must picture ourselves in their place, so that our judgment may come out just.
The son did the best that a son could do toward his mother, for he refused to let himself live with a mother who had a lover, and refused to be a stumbling block in the way of the happiness of a woman who had given so much for his own happiness.
And the mother — that woman who was married off against her will at the age of innocence, whose husband then died, and to whom her first sweetheart returned — he upon whom, five years before, she had pinned her fondest hopes — returning today to tell her that he too had married, to console himself after she had married and made him lose all hope; and then he wept, and she wept with him, over a happiness the two of them had lost and a married life they had been denied — that woman's thirst for a little happiness in life was stronger than any restraint of honor or chastity or fidelity that might hold her back from quenching the burning of her breast.
And if there is any sin here (and I do not say crime), it falls upon the lover, who ought to have been of loftier character and more continent soul, and to have accepted what God had written for him — a life with
And here is the second letter:
To the literary lady, Mrs. Salma al-Haffar
Madam,
I would not have thought that you would confine the crime to the mother, the lover, and the son, whose hands are clean of anything that may be called crime — though all three of them did what would be counted a fault by anyone
the partner of his life, she whom he married that he might be hers and no one else's. Rather, he ought to have asked himself, before going to his sweetheart, whether she would have returned this love of his had her husband still been alive? — And if his love for that woman had been of a kind that required us to find excuses for him, he would not have hastened to marry when he learned that his beloved had been married off, against her will, to a wealthy man; and had he refrained, it would have been open to him to marry that woman lawfully after she lost her husband.
As for the crime that caused the misery of a mother, and the misery of a son of whom we do not know whether he took his own life or perished a vagrant in the alleys, and the wretchedness of a man living with a woman he does not love, and consequently the wretchedness of that wife (the lover's wife) who spent the flower of her life with a husband who lived with his mistress (the author neglected to inform us whether the lover deserted his wife after his attachment to his mistress, or whether that wife spent twelve years with a man of whom she had nothing but his name) — that crime, which dragged misery into the lives of two families, falls with all its consequences upon the mother's father, who refused to marry her, in the days when she was a girl, to the one she loved and who loved her, and preferred to offer his daughter as merchandise in the market of the wealthy fools.
Taha al-Gharib
And a letter full of sincere feeling and suppressed pain has been sent to us by Miss Nahida Fadli, one of our beloved Palestinian guests. Miss Fadli enclosed with it some poems of her own composition, in which a soft poetic spirit appears, though it is still tender yet; and we have chosen from Miss Fadli this prose piece, in the hope that she will always favor us with the outpourings of her pen, for in her pen
يذكر القراء القصة التي نشرتها صوت المرأة، للسيدة «سلمى الحفار» بعنوان «من هو المجرم»؟ وكانت الأديبة سلمى الحفار، قد طلبت من القراء أن يعلنوا آراءهم فيمن هو المجرم الحقيقي في القصة وقد وردتنا رسالتان الأولى من الآنسة «زينب محمود ياسين» من صافيتا والثانية من الأديب طه الغريب في جريدة «الكومرس دي ليفان».
وهذه رسالة الآنسة زينب قالت:
المجرم...
بعد قراءتي لقصة «الانتظار» في العدد الفائت من مجلة صوت المرأة الغراء، استلفتت انتباهي هذه المأساة التي قام بتمثيلها أبطال ثلاثة، أم وعاشق وابن، وقد وضعتها «صوت المرأة» بين يدي القراء والقارئات ليحكموا على المجرم من الثلاثة، وإزاء هذا الاستفتاء المرغوب، وقفت استعرض موقف كل
منهم ، فأثر في نفسي تأثيراً اجمالياً ، وخرجت منها وانا افكر فيمن عساه المجرم ؟
عاشقة ينبض قلبها بايات الحب وقداسته وطهارته ، تذهب ضحية رغبات والديها ، وتشعل جذوة هذا الحب بالوفاء الى عشيق معدم لم يرغب به الابوان قريباً لها ، ويبقى الاخلاص دفيناً بين حنايا صدرها ، وتمر الايام ويموت الزوج ويعود الحبيبان الى عشها القديم يتبادلان كؤوس الحب والغرام .
وعندما كانت قبلة اللقاء الموسيقية الرائعة وقد غاب فيها العشيقان طويلاً بدأت المناجاة التي انفجرت عنها المأساة المحزنة ، فالعشيقة مضطرة بحكم الواقع ان تفتح ذراعيها للحبيب الولهان وتقدم له كأس الهوى من شفتيها .
والعشيق هو ايضاً كذلك مضطر لان يبادل هذا الموقف بحبه وبقلبه . ولكن المجرم طبعاً هو الولد الذي ما فكر بان لامه الحرية المطلقة منذ ان توفي والده وانما اصبحت حرة المسلك والمنهج . نعم انه وحده المجرم الاثيم عندما غادر أمه بشكل انتقامي بناء على ثقة بان أمه تموت حباً به وتذوب شوقاً عليه ، فكان منه ذلك الانتقام المر الذي ضرب به تلك الضربة القاسية على قلبين حبيبين .
صافيتا : بيت الشيخ يونس
زينب محمود ياسين
خلت ايامه من مثل تلك الحالات . وان شئنا الحكم على احدهم ، فعلينا ان نتمثل نفسنا مكانهم ليأتي حكمنا عادلاً .
فالولد قد فعل خير ما بوسع ابن ان يفعله تجاه امه ، اذ أبى على نفسه ان يعيش مع أم ذات عشيق ، وأبى ان يكون حجر عثرة في سبيل هناء امرأة بذلت الكثير لاجل هنائه .
والام ، تلك المرأة التي تزوجت مرغمة في سن السذاجة ، ثم مات زوجها ، وعاد اليها حبيبها الاول ، ذاك الذي كانت خمس سنوات خلت تعقد عليه جميل الآمال ، عاد اليوم يخبرها بانه تزوج هو ايضاً ليعزي نفسه بعد ان تزوجت هي وافقدته كل أمل ، ثم بكى وبكت معه سعادة فقداها وحياة زوجية حرماها ، تلك المرأة كان ظمأها الى قليل من السعادة في الحياة أقوى من رادع شرف أو عفة أو وفاء يردعها عن ارواء غلة صدرها
وان كان هناك ثمة خطيئة (ولا اقول جريمة ) فانها تقع على العشيق الذي كان عليه ان يكون ارفع خلقاً وأعف نفساً ، ويرضى بما كتبه له الله من العيش مع
وهذه هي الرسالة الثانية :
لحضرة الادبية السيدة سلمى الحفار
سيدتي
ما كنت لاظنك ستحصرين الجريمة بين الام والعشيق والولد الذين قد طهرت ايديهم مما يسمى جريمة ، رغم كونهم قد أتوا ثلاثتهم ما يعتبره خطأ كل من قد
شريكة حياته تلك التي تزوجها ليكون لها لا لسواها ، بل كان عليه ان يتساءل ، قبل الذهاب الى عشيقته ، عما اذا كانت قد تبادله هذا الحب فيها لو كان زوجها لم يزل على قيد الحياة ؟ — ولو ان حبه لتلك المرأة كان الى حد يتطلب منا التماس العذر له ، لما كان قد اسرع الى الزواج عندما علم بان حبيبته قد تزوجت مرغمة من رجل ثري ، ولو فعل ذلك لأوسعه ان يتزوج شرعياً من تلك المرأة بعد ان فقدت زوجها .
اما الجريمة التي كانت سبباً في شقاء أم وشقاء ابن لا ندري ان كان قد انتحر أو قضى شريداً في الازقة ، وتعاسة رجل يعيش مع امرأة لا يحبها ، وبالتالي تعاسة تلك الزوجة ( زوجة العشيق ) التي قضت زهرة عمرها مع زوج يعيش مع عشيقته ( وقد اغفل المؤلف اطلاعنا عما اذا كان العشيق قد هجر زوجته بعد تعلقه بعشيقته أم ان تلك الزوجة قضت اثني عشر عاماً مع رجل لا تحمل منه سوى اسمه ) ، ان تلك الجريمة التي جرّت الشقاء في حياة أسرتين تقع بكامل تبعاتها على والد الام الذي رفض ان يزوجها يوم كانت فتاة بمن تحب ويحبها ، رفضل ان يعرض ابنته سلعة في سوق الاغبياء من ذوي الثراء
طه الغريّب
ورسالة فيها كثير من العاطفة الصادقة والالم المكبوت ، ترسلها البنا الآنسة ناهده فضلي من ضيوفنا الاحباء الفلسطينيين ، وقد ارفقتها الانسة فضلي ببعض القصائد من نظمها ، وفي هذه القصائد تظهر روح شعرية ناعمة ، ولكنها ما تزال بعد طرية ، وقد اخترنا للانسة فضلي هذه القطعة النثرية على أمل ان توافينا دائماً بنفثات اقلامها ، فان في قلمها
Translation and transcription are machine-made and may contain errors. See it on the page.